after their first single, guns ‘,n’, bombs are back on the dancefloor with riddle of steel! a new techno classic from usa forefront producers, para one brings it back to french house. unpretentious and unforgivingly badass, l.a.s guns n bombs (including an ima robot member) put the united states outside new york back on my techno map, blow current german electro standards out of the water and give paris’,s new french touch a run for its money. on the dancefloor, this enormous riddle of steel becomes huge! a dark and relantless new track with discreet mainstream sounding excursions that make this take no prisoner techno roller. para one worked more on the entertaining vibe, balancing out the rougher edged electro techno tendencies with welcome moments of daft punk esque levity.

excellent deep grooving 4 tracker by eddie leader!! discreet vocals, rumbling basslines and shark hi hats for early morning/late night club pleasure

the original mix starts a complex roller, with a discreet but powerful bass line under some seriously hectic beats. the breakdown sees this track take a more musical tone and shows great depth, this one focuses on progressing themes throughout, and will appeal to those who like things a little left of centre

strong phunky electro house. incl chab remix ! psychedelic, deep break / pleasant discreet vocals

his style is a fascinating mix of house, electro and techno including all sub genres. after his debut album alles wird gut on beatmodul records in early 2007, which was supported by djs like steve angello or sebastien leger this track has a lugging electro bassline with a stomping kick in the beginning. squired by a discreet tricky melody which works with several highs and depths the track is getting a brandnew style from the middle on which gives it a big kick. as remixers we could manage the swedish superstar jeff bennett (malmo) and kaiser souzai.

a various astists e.p which discreet moves from electronic tech-house to minimal techno

over the past 20 years, genevan duo sinner dc has built a solid yet discreet reputation on the international electronic music scene. their ethereal intergalactic yet catchy melodies, full on emotions and melancholy, became throughout the years the bandÕs trademark.

welcome back to the movielike resonating sound world of the 23s. already in 2008 the mysterious one-man band proofed with the album ÒboliviaÓ that they are trying to do another kind of music Ð something that isnÕt entertainment, something that isnÕt show, something that goes gently straight to your soul. now the producer from nord-rhine-westphalia did it again and tuned in the longplayer ÒflamingoÓ. anew he delivers a special kind of cinematic journey music that grooves opposite to his other, more rhythm based hypnotic dance productions. also as the 23s he produces pattern-based music, but it pursues a different intention: each listener should dive into a hallucinatory world of seen and unseen films that his inner eye creates unprejudiced. all ten tracks are romantic smooth operators. they put themselves in service of an artistic vision, in which the listener should get lost in music. the album can be seen as a love-letter to the movie scores of the french 70s cinema or the impressionistic sound arrangements you can hear in the early cinema of peter greenaway. with double bass heat, discreet piano melodies, levitating guitar chords, some gentle horns here and there and beats that recollect the warm jazz influenced soul of oldschool hip-hop the 23s generate a sublime get-down-deep instrumental journey. you can listen to it attentive. or you can just play it in the back while doing whatever you like to do. it is recommended to play ÒflamingoÓ in a decent amount of volume as all loungey tracks begin to live bigger and brighter with sound intensity. if you play it flashy you will experience an atmospheric sometimes light-flooded, sometimes foggy 40-minute electronic journey that offers open-minded souls to fill the room between the notes with their very own milky fancy. soon the album will be accompanied by a bunch of remixes tuned in and twisted by producers like giegling and white artists edward, christian s of the c—meme tribe, canadian producer the mole and the german post rock and electronic music band to rococo rot.

a touch of classical music, left field electronics, ambient love affairs, and discreet dubby house emotions without a kick drum: the third instalment of mule musiqs famed enjoy the silence sampler serial swings gentle, tricky, and multidimensional.

the prime numbers label was initiated by trus me at the start of this year. this cd showcases the direction of the label and displays perfectly trusmes dj style. he mixes and blends the prime numbers vinyl releases this year with some forthcoming and previously unreleased tracks from the prime numbers artist roster. all the artists have two tracks included in the mix

three years after his groundbreaking album >the meaning< (playhouse, 2004) thomas melchior presents his new longplayer >no disco future<. skills and experiences thomas gained throughout the years are innumerous. to mention just a few: along with tim hutton he formed the duos vulva and yoni who were releasing on aphex twins label rephlex, on the us-label reflective, and for german electronica pioneers source records. with his mate peter ford he forms the duos sunpeople and soul capsule (and various others). the new album sounds less microhousy and more homogeneous. slightly spherical soundscapes perfectly unite with discreet vocals building very harmonical structures..